Classical Music
-
WPR Music new album of the week: ‘Keyboard Sonatas’
For this recording, Javier Perianes performs on a modern Steinway piano, bringing even more life and sparkle to these timeless works.
-
WPR interviews composer Viet Cuong
WPR’s music producer, Ava Kuredjian, interviewed composer Viet Cuong about his new work debuting in Milwaukee, his creative process and what other works inspire him.
-
WPR Music new album of the week: ‘Beethoven for Three Vol. 4’
Here’s the fourth release in a Grammy-nominated Beethoven for Three series, which includes a great piece for spooky season.
-
WPR Music new album of the week: ‘B.A.C.H.’
Swedish clarinetist Martin Fröst has released a new album of music by Johann Sebastian Bach.
-
WPR Music new album of the week: ‘Telemann: Violin Concertos. Overture. Suite. Fantasie’
The album comes from German violinist Isabelle Faust, who teams up with the Akademie für Alte Musik Berlin, one of the leading ensembles playing on instruments from the 18th century.
-
WPR Music new album of the week: ‘Ascension: Symphonina Rising’
This new album features composers Jordan Jinosko, Christopher Reed, Alexander Unseth, David Fogel and Daniel Fisher.
-
WPR Music new album of the week: ‘Holst & Butterworth’
This week’s new album from the Royal Liverpool Philharmonic and conductor Andrew Manze features the tranquil orchestral music of two English composers who took an interest in folk songs.
-
‘A depth and a richness’: Wisconsin students play Holocaust-era instruments
In partnership with organizations around the state, the Milwaukee Youth Symphony Orchestra will be hosting concerts, exhibitions and opportunities for Holocaust education, featuring the collection of 70 instruments.
-
WPR Music new album of the week: ‘Still & Bonds – Symphonies & Variations’
The album includes the second and fourth symphonies by William Grant Still and the “Montgomery Variations” by Margaret Bonds.
-
Historic violin connects La Crosse Symphony performance with a classical master
“It’s amazing to play Brahms on an instrument that was among the first to ever perform the concerto,” said Rachel Barton Pine. “It not only does everything I could possibly imagine, but it even suggests things to me that I would have never thought of.”










